歐式雕塑的發(fā)展歷史
走在歐洲的街道上，你可以看到到處都是美麗的花園雕塑、宏偉的哥特式建筑和宏偉的紀(jì)念碑雕塑。這些藝術(shù)作品是人類文明花園中的奇花異草。回顧歐式雕塑數(shù)千年的歷史，許多激動人心的時代，壯麗的過去事件，戰(zhàn)爭，成功與失敗，民族的驕傲，對一天的愛都清晰可見。當(dāng)一切都成為過去的時候，這個時代的靈魂凝聚在雕塑的堅實思想中。Walking on the streets of Europe, you can see beautiful garden sculptures, magnificent Gothic buildings and magnificent monument sculptures everywhere. These works of art are exotic flowers and plants in the garden of human civilization. Looking back on the thousands of years of European sculpture history, many exciting times, magnificent past events, wars, successes and failures, national pride and love for a day are clearly visible. When everything is in the past, the soul of this era is condensed in the solid thought of sculpture.
在法國的勞塞爾巖洞中，人們發(fā)現(xiàn)了六個人物雕刻形象，其中最著名的一件是一個浮雕女性人體形象，被后人稱為《持角杯的女巫》。這種典型的女性雕刻形象表現(xiàn)了原始人類對種族繁衍的崇尚，被認(rèn)為是原始藝術(shù)的開端。Six figures have been found in the cave of Laussel in France. The most famous one is a relief female figure, which is later known as the witch with the horn cup. This kind of typical female carving image shows the primitive people's admiration for racial reproduction and is regarded as the beginning of primitive art.
20世紀(jì)的西方現(xiàn)代藝術(shù)運動，以豐富的藝術(shù)樣式和美學(xué)闡釋造就了一個多元化的審美文化格局。在這場曠日持久的革命性運動中，雕塑創(chuàng)作向古典規(guī)范以至藝術(shù)極限展開全面挑戰(zhàn)，不斷提示出現(xiàn)代人關(guān)于“雕塑”的突破性思考和理解。與古典主義雕塑相比，現(xiàn)代派雕塑在創(chuàng)意、構(gòu)思、題材、材料、表現(xiàn)技巧和方法等方面皆反傳統(tǒng)地進行了廣闊的拓展。The western modern art movement in the 20th century created a diversified pattern of aesthetic culture with rich artistic styles and aesthetic interpretation. In this long-lasting revolutionary movement, sculpture creation has launched a comprehensive challenge to the classical norms and even the artistic limit, constantly prompting the breakthrough thinking and understanding of "sculpture" of the generation. Compared with the classical sculpture, the modernist sculpture has carried on the broad expansion in the aspects of creativity, conception, theme, material, performance skills and methods.中正銅雕：黃銅歐式銅雕塑、歐式雕塑時尚擺件
